A striking Architectural Digest leaked about two San Francisco collectors contained a manipulated image that obscured images of possibly looted artwork – 71Bait

A glossy photo series in it Architecture Digest featuring art collectors Roger Barnett and Sloan Lindemann’s $42 million San Francisco mansion Barnett was photoshopped to remove allegedly looted Cambodian art from the article.

In a photo on the house’s architect’s website, several ancient Khmer statues were displayed on plinths amidst palm trees in the house’s courtyard. However, the sculptures disappeared from the same image published by Architecture Digest in January 2021, despite a caption mentioning “Southeast Asian sculptures.”

Hany Farid, a visual forensics expert at the University of California, Berkeley, confirmed that the photo had been airbrushed to remove the stone carvings Washington Post and the International Consortium of Investigative Journalists (​​ICIJ), who worked together to search the 11.9 million documents in the Pandora Papers.

The 2021 leak detailed the offshore financial transactions of some of the world’s richest and most powerful people and has led to numerous revelations about looted antiques.

Among them was the Cambodian antiques dealer Douglas Latchford, who placed works in some of the most prestigious museums in the United States

Roger Barnett and Sloan Lindemann Barnett, daughter of art billionaire and art collector George Lindemann and sister of art dealer Adam Lindemann, is a Spanish Renaissance-style palacio with white onyx paneled walls, decorative mirrored columns, and expansive views of the Golden Gate Bridge.

It has been “described as the finest house in America, and with good reason.” Architecture Digest proclaimed.

Neither the couple nor Conde Nast, who publishes Architecture Digestresponded to inquiries from Artnet News.

It remains unclear who photoshopped the image, but a spokesperson for the magazine told ICIJ the statues were not shown due to “unresolved publication rights to select artworks”. However, the sculptures would never have been copyrighted and would never have raised rights issues.

The magazine previously featured George Lindemann and hailed his $40 million holding as “one of the largest privately owned collections of Southeast Asian art” in a 2008 article.

This story caught the attention of Cambodian investigators, who suspected that many of the Khmer treasures Lindemann owned had been looted.

Finally, a Cambodian antiques broker nicknamed “Jungle Cat” told the government that he had personally turned over looted works to one of Latchford’s main suppliers and that these statues had been purchased by the Lindemanns.

“Some of these statues are of tremendous historical and cultural importance to Cambodia and should be repatriated as soon as possible,” Phoeurng Sackona, the country’s culture and fine arts minister, told ICIJ.

These include the three stone heads, which were conspicuously missing Architecture Digest Story believed to have been stolen from a road to Angkor Thom in Siem Reap.

George Lindemann and Frayda Lindemann in 2009. Photograph by Ben Gabbe, ©Patrick McMullan.

Latchford confirmed this in an email to a colleague with a photo of the works, saying: “These were all stolen.”

Also affected are two Khmer statues that the Lindemanns gave to the Metropolitan Museum of Art after purchasing them on a trip to Cambodia with Latchford.

“Our museum has a long history of evaluating cultural property claims and returning objects, where appropriate, based on rigorous evidentiary review,” a Met spokesman said in a statement.

The US Department of Homeland Security is in contact with the Lindemanns, but repatriation is not currently planned. The family has not been accused of any wrongdoing.

In January, tech entrepreneur and Netscape creator James H. Clark, another Latchford client, donated $35 million in Southeast Asian antiques to Cambodia, India, Myanmar and Thailand.

Follow Artnet News on Facebook:

Want to stay one step ahead of the art world? Subscribe to our newsletter to get the latest news, insightful interviews and incisive critical statements that drive the conversation.

Leave a Comment